Kanye West’s wife, Bianca Censori, donned a form-fitting spandex bodysuit as she sat on “human furniture” for a bizarre Seoul art show. Fans are aware of Censori’s questionable fashion choices and that she has worn some strange outfits in the past as well. Staying true to her fashion choices, she did not disappoint at her unorthodox BIO POP (THE ORIGIN) event in Seoul, South Korea.
Bianca Censori poses with a chair that looks like her
Kanye West’s wife, Bianca Censori, sat on “human furniture” modeled after her. It is safe to say Censori has taken her love for bizarre fashion to a new height when she recently rocked a skin-tight spandex bodysuit. The look resembles Britney Spears’ iconic jumpsuit from her 2000 music video for “Oops!… I Did It Again.” Not only that, she poses with a chair that eerily resembles her (via Parade).
Censori’s fashion stylist and collaborator, Gadir Rajab, shared pictures on his Instagram stories. According to the carousel, Censori showcased several pieces of “human furniture” modeled on her. Pieces of the “human furniture” were scattered across the room in various positions for dramatic effect.
In another instance, she poses with West, dressed in his signature all-black outfit with dark glasses. Censori rocks a burgundy form-fitting spandex outfit with a fringe cut and glamorous makeup.
The 30-year-old model first teased the bizarre showcase on her Instagram last week. Censori uploaded a single image of a heart-shaped pill bearing the exhibition name and a “100mg” mark. She captioned the photo, “BIO POP (THE ORIGIN) – SEOUL, KOREA DECEMBER 11TH/12TH 2025.”
Censori shared a second photo of a pair of translucent yellow gloves with the same caption. Her third and final post featured a human mask that perfectly matched her facial features. Her sister Angelina Censori commented, “Perfect angel face!!!” Rajab hyped her in the comments by chiming, “ITS COMING.” One fan remarked, “ICONIC,” while a second penned, “YESSSSS.”
Interestingly, her website reads, “Domesticity is the mother of all revolutions, because all others trace back to it.” It continues, “Bianca Censori’s first work BIO POP stages the body inside the language of the domestic. She begins in a kitchen, baking a cake, before carrying it into a dining room where women—masked, dark-haired doubles of herself—are restrained inside her sculptural furniture.”
