Filmmaker Nathan Fielder has shared Elizabeth Holmes’ reaction to the release of the documentary You Can See Everything. He recently received a phone call from the former Theranos CEO, who is serving an 11-year prison sentence for fraud.
Speaking in an interview with WIRED, Fielder revealed that Holmes called him from prison last Friday after more than six months without contact. He initially missed two calls before answering a third from the same number.
When Fielder asked whether she had seen anything about the project’s release, Holmes said she had seen some material but had not read most of the coverage. She then told him, “I trust you.”
Fielder responded, “OK, thanks.” However, he admitted the repeated remark left him baffled, “And I don’t know what she meant by that.” While the two also touched on updates regarding her children and personal life, Fielder opted to keep those specific details private.
Co-directed by Fielder and Lance Oppenheim, You Can See Everything offers an uncensored look at the 34 days leading up to Holmes’ surrender to federal prison in May 2023. It captures her interactions with her family, her partner Billy Evans, and Fielder himself as he moved into her residence to capture her side of the story.
How much money did You Can See Everything make during its opening weekend?
You Can See Everything earned $15 million at the domestic box office during its opening weekend. The A24 release debuted on October 16, 2026, across 855 theaters. It finished second behind Street Fighter, which earned approximately $31 million. The documentary significantly exceeded its projected opening of $7 million to $8 million.
According to Variety, the film became a word-of-mouth sensation following its premiere at the Telluride Film Festival. Strong reviews and audience interest helped drive ticket sales. A24 reported more than 2,000 sold-out screenings as viewers rushed to avoid spoilers.
Produced in complete secrecy over three years on a modest $7 million budget, the film delivered the highest-grossing opening weekend for a non-fiction documentary in North America since Michael Moore’s Fahrenheit 9/11 debuted to $23.9 million in 2004. It also logged the highest per-location average for a film playing in under 1,000 theaters since 2006’s Borat.
Originally reported on ComingSoon.
