Books | Frida Kahlo’s Garden
Photo: Nickolas Muray, Frida with Olmeca Figurine, Coyoacán, 1939. © Nickolas Muray Photo Archives
Ten kilometers south of Mexico City lies Casa Azul (Blue House), which had been home to Frida Kahlo from 1939 until her dearth in 1954. Now the Museo Frida Kahlo, Casa Azul is home to what remains in life after the passing of the flesh, and the spirit that connects us to each other. The artist’s works were born in this place, a cabinet of curiosities as remarkable as Frida herself.
Kahlo collected tens of thousands of objects throughout her life, and she also collected plants. Together, she installed them in Casa Azul, creating an atmosphere much like her paintings themselves: rich, lush, lavish spectacles of life and death, pleasure and pain, sickness and health. In her art, as in her life, Kahlo was a balance of seemingly opposing forces made whole like yin and yang.
Frida Kahlo’s Garden, edited by Adriana Zavala, Mia D’Avanza, and Joanna L. Groake (The New York Botanical Gardens/Delmonico Books/Prestel) takes us on a glorious journey inside Casa Azul, exploring the relationship between the artist’s work and milieu. Showcasing more than 20 of Kahlo’s paintings and works on paper, as well as archival photographs, the book accompanies the exhibition Frida Kahlo: Art, Garden, Life at The New York Botanical Garden, now on view through November 1, 2015.
Kahlo’s intense interest in the natural world was evident throughout her work. As Zavala and D’Avanza write in the book’s introduction, “The beauty and diversity of plants, animals, and the Mexican landscape were integral to her work, from enchanting self-portraits and still lifes to provocative depictions of the female experience. Kahlo’s use of botanical imagery reflected the embrace of the archetypal Mexican indigenous and natural elements that defined post-Revolutionary art. But her approach was hers alone.”
It is Kahlo’s singular vision that has elevated to prominence in our times. In her life and in her work, we witness one woman’s struggle not only to survive, but to use art to speak truth to power. When Kahlo is bold, she is most beautiful, reminding us of the sublime power of Mother Nature to weather ravaging storms and come out shining.
Deeply rooted in the history and traditions of Mexico, Frida Kahlo’s Garden is a tribute to native home. As Robert Bye and Eldemira Linares write for the book, “The garden flora created the illusion of the Mexican countryside and reflected her way of expressing her nationalist identity as well as her fascination with vegetal representations in archaeological pieces and Aztec codices. She may have also been in dialogue with members of her social circle, several of whom became distinguished contributors to Mexican ethnobotany. The botanical diversity and the ecological phenomena expressed in Frida Kahlo’s artwork as well as her garden reflect the interdependence of her physical condition, creativity, and spiritual essence with nature’s cruelty and beauty—an intimate connection that continues to intrigue us today.”
“Frida Kahlo: Art, Garden, Life at The New York Botanical Garden, is on view now through November 1, 2015.
Miss Rosen is a New York-based writer, curator, and brand strategist. There is nothing she adores so much as photography and books. A small part of her wishes she had a proper library, like in the game of Clue. Then she could blaze and write soliloquies to her in and out of print loves. http://missrosen.com