The carpet has rolled up at the 2014 Cannes Film Festival and the awards have been handed out.
Turkish director Nuri Bilge Ceylan won the coveted Palme d’Or for Winter Sleep. Although the film divided critics – some saw it as transformative, some saw it as a 196-minute chore – it was not a surprise that Ceylan won. It’s seemingly the only award that Ceylan hadn’t won at Cannes yet. Ceylan had won the Grand Prix (second place) twice at the festival, in 2011 for Once Upon Anatolia and in 2002 for Distant. He’d also won the Best Director award in 2008 for Three Monkeys.
Some higher star-wattage awards went to Foxcatcher (the Steve Carell, Channing Tatum and Mark Ruffalo bizarro true crime chronicle of a rich man, his Olympic wrestling training facility and the tragedies therein) in the form of Best Director for Bennett Miller. And to Julianne Moore for Best Actress in David Cronenberg’s Maps to the Stars, a deranged psychosexual comedy set amidst Hollywood scandals.
Most of the buzz around Foxcatcher was that it officially kicked off the Academy Awards discussion for Miller, Carell and Tatum (maybe by the eventual 23 Jump Street we could see an arty trailer for dual Academy Award nominees Jonah Hill and Channing Tatum). By winning a top prize Foxcatcher can kickoff their awards campaign by adding olive branch “winner” emblems to its poster and trailer.
Each year, however, there are a number of films that play at Cannes that need those olive branches on their posters and trailers to gain distribution in North America. While the competition slate generally slots already anointed internationally acclaimed directors, there are always some fresh faces – such as 25-year-old Canadian Xavier Dolan who broke into the competition this year with Mommy – sprinkled in.
Dolan had three previous films debut at Cannes outside of the main competition. The areas where his previous films debuted, in the Directors’ Fortnight and Un Certain Regard sections, is where you will find future Cannes competitive directors, exciting genre fare or established directors who don’t have quite the shiny sheen required to bump royals out of their competitive slots. Once a director gets into the competitive field, it’s almost like a 10-year free pass. Cannes is very loyal. Sometimes insufferably loyal. By most accounts, Canadian director Atom Egoyan hasn’t made a decent film since winning a Cannes prize for The Sweet Hereafter over a decade ago, but he still found himself in competition again this year for the poorly received The Captive.
This year many of the films that had less buzz before they screened sounded particularly exciting to CraveOnline. After the full list of competition winners (which you also should get excited about), please jump to our slideshow of films that we weren’t even aware existed prior to their Cannes screenings but now can’t wait to see. Many of them lack current distribution. But those Cannes olive branches go a long way – they’ll find a way to your art house theatre or home living room soon enough.
Palme d’Or (first place): Winter Sleep (Nuri Bilge Ceylan, Turkey)
Grand Prix (second place): The Wonders (Alice Rohrwacher, Italy)
Best Director: Bennett Miller, Foxcatcher (U.S.A.)
Best Actor: Timothy Spall, Mr. Turner (Mike Leigh, U.K.)
Best Actress: Julianne Moore, Maps to the Stars (David Cronenberg, Canada)
Jury Prize (third place) tie: Mommy (Xavier Dolan, Canada) and Goodbye to Language (Jean-Luc Godard, France)
Best Screenplay: Andrey Zvyagintsev and Oleg Negin, Leviathan (Andrey Zvyagintsev, Russia)
10 Films You Should Be Excited About From Cannes 2014:
Brian Formo is a featured contributor on the CraveOnline Film Channel. You can follow him on Twitter at @BrianEmilFormo.
10 Films You Should Be Excited About from Cannes 2014
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A Hard Day
Directed by: Kim Seong-hun
Country: South Korea
Category: Directors’ Fortnight
Why We’re Excited: A Hard Day seemed to assault the stuffiness of importance at the festival. It’s a cop thriller that – across all critics – appears to be flat-out fun.
Choice Review: Maggie Lee at Variety says that A Hard Day is: “a taut yet elaborately plotted narrative with heady black humor, social satire and a touch of surrealism, that keeps audiences on the edge of their seats… A Hard Day brought down the house at the film’s Directors’ Fortnight premiere.”
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White God
Directed by: Kornel Mundruczo
Country: Hungary
Category: Un Certain Regard (winner, best film in category)
Why We’re Excited: A twist on the Lassie narrative, this film concerns a dog who's trying to make its way back to his faithful child owner during a full-scale domesticated beast vs. man uprising. It’s said to be both violent and wholesome at the same time. Awesome.
Choice Review: Peter Bradshaw at The Guardian calls White God “a fantasia of canine madness that looks sometimes like a horror-thriller based on something by James Herbert or Stephen King - and sometimes like a tribute to Hitchcock's The Birds. Except that this time it's The Dogs.”
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Mommy
Directed by: Xavier Dolan
Country: Canada
Category: Main competition (winner, Jury Prize, third place)
Why We’re Excited: Frankly, we didn’t know that Dolan had already completed another film. His Tom at the Farm played at the AFI film Festival last November and hasn’t been released in the US yet. So, because his last distributed film, Laurence Anyways, found some love on CraveOnline we feel kinda dumb not knowing that he had completed another film. A youngster with mother issues and Suzanne Clement (Laurence Anyways) returns to work with Dolan.
Choice Review: There are a lot of glowing reviews for Mommy, but we’ll go with Dolan’s great speech he directed at Jane Campion, the head of this years jury. Accepting a jury prize, Dolan said to Camption, “The Piano made me want to write roles for women, beautiful roles with soul and will and strength. Not victims, not objects.” Campion’s response: “I love Mommy so much —such a great, brilliant, modern film.”
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P’Tit Quinquin
Directed by: Bruno Dumont
Country: France
Category: Directors’ Fortnight
Why We’re Excited: In describing P’tit Quinquin, French publication Magmaa used the following allusions to tone (via Google Translate): “Twin Peaks in French” meets a “Hot Fuzz lack of hospitality." If the four-part miniseries is even a sliver of that, that sounds amazing.
Choice Review: Okay, using Google Translate for a synopsis is simple, but for a review is a little clunky. However, Cannes-Ruban, which tallies all the review scores from Cannes critics, placed P’tit Quinquin as the highest rated screening from the festival. Granted there were only 16 reviews collected – but still: Lynch + Wright + France? If this does well with French TV critics perhaps we can get a taste stateside via Sundance Selects or another adventurous TV programmer that’s unafraid of subtitles? At the very least, this sounds like it could be remade and relocated.
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Welcome to New York
Directed by: Abel Ferrara
Country: U.S.A.
Category: None; Welcome to New York screened at a special gathering on the beach adjacent to the official events.
Why We’re Excited: Ferrara and Gerard Depardieu tackle an egomaniac/sex addict/global capitalist in the bulbous form of almost French president Dominique Strauss-Kahn. It sounds like Ferrara’s most bonkers film in years. And from the director of Bad Lieutenant, Driller Killer and Ms. 45 that’s saying a lot.
Ferrara has always patrolled the streets of New York and engaged in depraved behavior, but where he draws the line appears to be visitors -- non-New Yorkers -- dipping into the depravity and not having to live in it.
Choice Review: Eric Kohn from Indiewire says that Welcome to New York is “a deliriously entertaining political cartoon in B-movie clothing, [it’s] laughable and grotesque to the extreme… But anyone willing to invest in the lunacy will find a satisfying dissection of DSK's monstrous appetite and the global industry that allows his excesses to thrive.”
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Queen and Country
Directed by: John Boorman
Country of Origin: U.K.
Category: Directors’ Fortnight
Why We’re Excited: We didn’t even know that Boorman (Deliverance, Excalibur) filmed a sequel to his extraordinary, wartime biographical coming-of-age film Hope and Glory. Bill Rowan (Callum Turner) has grown up and enlists for the Korean War.
Choice Review: Fionnuala Halligan from Screen International says, “Queen and Country is a fitting, intimate curtain call on a long and hugely dynamic and influential film career.”
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The Story of Princess Kaguya
Directed by: Isao Takahata
Country: Japan
Category: Directors’ Fortnight
Why We’re Excited: This is Studio Ghibli’s newest animated offering, from the director of Grave of the Fireflies.
Using charcoal and watercolor, Takahata’s film has a distinctly different look from studio founder Hayao Miyazaki. Supposedly, like Miyazaki, Takahata is also retiring with his newest film. Which is a story about -- you guessed it -- a princess.
Choice Review: Robbie Collin of The Daily Telegraph wrote that The Story of Princess Kaguya is “as beautiful and imaginative as anything Ghibli has created… it looks like an ancient scroll-painting come to life: its characters, sketched in charcoal, crackle with expressive energy, while loose, vivid ink-strokes become dappled sunlight, bursting blossoms and falling snow.”
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Girlhood
Directed by: Celine Sciamma
Country: France
Category: Directors’ Fortnight
Why We’re Excited: Sciamma’s follow-up to the achingly tender gender-political Tomboy, again tackles the formative years of adolescence. But here she explores gender indentity via a young girl who joins a gang.
Choice Review: Jessica Kiang of The Playlist says, “Girlhood is a fascinatingly layered, textured film that manages to be both a lament for sweetness lost and a celebration of wisdom and identity gained, often at the very same moment.”
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Bird People
Directed by: Pascale Ferran
Country: France
Category: Un Certain Regard
Why We’re Excited: Okay the reviews on this one weren’t great. But there was immense passion from one Pulitzer Prize winning critic (below), so we listened and put it on our list. Bird People is set within a Hilton hotel adjacent to the Paris airport. A Silicon Valley businessman (Josh Charles) is there for 24 hours. And a maid at the hotel (Anais Demoustier) is similarly just touching down.
Choice Review: Wesley Morris from Grantland says, “Bird People has ideas about nature, human and otherwise. It’s got a sense of romantic wonder… It’s the most inspired thing I’ve seen [at Cannes 2014].”
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Cold in July
Directed by: Jim Mickle
Country: U.S.A.
Category: Directors’ Fortnight
Why We’re Excited: CraveOnline covered this cranky potboiler at Sundance, but this is the ONLY film that played at Cannes that you can see right now: at a theater or at home on video on demand. It stars Michael C. Hall, Sam Shepard and Don Johnson. A man kills a burglar and is considered a hero. To everyone except the burglar’s father.
Choice Review: Tom Keogh of The Seattle Times says, “Movies incorporate plot twists all the time, but rarely with the mind-blowing relish of Cold In July."